London-based singer/songwriter Eleanor Moss will be releasing her full-length debut, The Knife, The Needle on August 21, 2026 through Merge Records. The nine-song album concerns itself with the way relationships between people are transformed, complicated and troubled by love. It’s a devastating work and a feat of tight lyrical construction that is simultaneously patient and vulnerable, opulently rendered and keenly felt. But interestingly, The Knife, The Needle emerged from a place of restraint with Moss — staying in a cabin near her parents’ house in the Scottish Highlands after initially recording an entirely different version of the album in New York (“a bit rollicking,” she notes) — feeling the pangs of the album she hadn’t recorded — “quieter, weirder, more English.”
Recording an album with a new ensemble and producer/engineer Pete Miles was a risk, but for Moss, setting aside an already completed effort was worth it. With the quieter, weirder, more English sound, Moss attempts to capture something fleeting, ephemeral and honest about the moments in which love, for better or worse, irrevocably changes someone.
The album will feature the previously released “Sarah Waiting in the Car,” and its latests single, the breathtakingly gorgeous and timeless “The Way It Feels.” Moss’ achingly yearning and expressive vocal is accompanied by birdsong and her strummed acoustic, classical guitar — and the result is an intimate, timeless picture of a universe created in the bond between two people with the unvarnished humility and honesty of a narrator, who says “the more I learn, the less I understand.”
“This was the last song written for the album, and feels to me like it sums up the spirit of the record. The more I learn about love the less I know, the more I know about someone, the more I know I don’t know them,” Moss explains. “It feels like an appropriate last song for an album about paradoxes; love asks us to hold contradiction without giving in to its discomfort. A song about not turning away, but turning towards.”
Directed by award-winning filmmaker Matthew Thorne, the accompanying video for “The Way It Feels” was shot in the Greek Peloponnese on 16mm film with Director of Photography Tasos Chatzis — and fittingly is as gorgeous and mediative as the song.
Along with the new single and video, Moss announced new tour dates, including an October 19, 2026 stop at Night Club 101. Check out the tour dates below.
Elanor Moss Tour Dates:
(New Dates in Bold)
Tue. Aug. 11 – Santa Barbara, CA @ SOhO*
Wed. Aug. 12 – Santa Cruz, CA @ Kuumbwa Jazz Center*
Thu. Aug. 13 – Sonoma, CA @ Sebastiani Theatre*
Fri. Aug. 21 – London, UK @ Rough Trade Denmark St (In-store)
Sat. Aug. 22 – Oxford, UK @ Truck (In-store)
Tue. Aug. 25 – Canterbury, UK @ Vinylstore Jr (In-store)
Sat. Aug. 29 – Little Mongeham, UK @ Smugglers Festival
Thu. Oct. 1 – Glasgow, UK @ The Poetry Club
Fri. Oct. 2 – Leeds, UK @ The Attic
Sat. Oct. 3 – Manchester, UK @ Low Four Studio
Sun. Oct. 4 – Stroud, UK @ The Prince Albert
Tue. Oct. 6 – Birmingham, UK @ Hare & Hounds
Wed. Oct. 7 – Bristol, UK @ The Jam Jar
Thu. Oct. 8 – Cardiff, UK @ Chapter Arts Centre
Fri. Oct. 9 – Oxford, UK @ Common Ground
Sat. Oct. 10 – Ashburton, UK @ Field System
Sun. Oct. 11 – Brighton, UK @ The Folklore Rooms
Mon. Oct. 19 – New York, NY @ Nightclub 101
Wed. Oct. 21 – Washington, DC @ Pie Shop
Fri. Oct. 23 – Harrisonburg, VA @ Sage Bird
Sat. Oct. 24 – Durham, NC @ The Pinhook
Sun. Oct. 25 – Richmond, VA @ Spacebomb Studio
Tue. Oct. 27 – Pittsburgh, PA @ Mr Small’s Funhouse
Thu. Oct. 29 – Detroit, MI @ Moondog Cafe
Sun. Nov. 1 – Chicago, IL @ Tack Room
Wed. Nov. 4 – Bloomington, IN @ The Bishop
Fri. Nov. 13 – Seattle, WA @ Ballard Homestead
Sat. Nov. 14 – Portland, OR @ Turn Turn Turn
Mon. Nov. 16 – San Francisco, CA @ 4 Star Theater
Tue. Nov. 17 – Los Angeles, CA @ Moroccan Lounge
Thu. Dec. 3 – London, UK @ Cecil Sharp House
* supporting Angelo de Augustine
____
The Joy of Violent Movement is a completely independent and completely D.I.Y. media outlet. Over the course of this site’s 16 year history, I’ve used my fiercely independent stance to cover music with an eclectic and global perspective that a lot of other publications just don’t have — and will likely never have.
To that end, I could use your support to continue to keep bringing you my unique global perspective on music. There are a number of ways that you can support this work.
I’ve been told that some people would prefer to make a one-time donation because it’s easy and less of an obligation. So, if you’re able to make a one-time donation, there’s a donation box below.
Make a one-time donation
Choose an amount
Or enter a custom amount
Your contribution is appreciated.
If you can give more regularly, please feel free to check out my Patreon: https://www.patreon.com/TheJoyofViolentMovement.
Anything you can give is very much appreciated. It can and does make a real difference, y’all.
I know that a lot of folks are struggling to make ends meet in an uncertain and tumultuous economic climate. So there are other, non-financial ways in which you can support this work.
You can follow me on the following social platforms:
X/Twitter: @yankee32879 and @joyofviolent
Instagram: @william_ruben_helms
Threads: @william_ruben_helms
Bluesky: @williamrubenhelms.bsky.social
Facebook: https://www.facebook.com/TheJoyofViolentMovement
As always, if there are posts that you dig, share them with your friends. The more eyeballs on my work, the better.
Discover more from The Joy of Violent Movement
Subscribe to get the latest posts sent to your email.