Throwback: Happy Black History Month: Whitney Houston

Today is the twenty-second day of Black History Month. Because the current administration is racist, fascist and wants to deny the existence and histories of anyone that isn’t cis-het and white, there are some important things everyone should remember during this month — and every single month: 

  • You can’t love Black artists and their work, and not see them as people 
  • Black lives — and Black art matters 
  • Black culture is American culture 

As we go through the month, I’m going to talk about a collection of Black artists. It’ll be fairly comprehensive and eclectic list — although it won’t be a complete list. So far I’ve talked about the following: 

Whitney Houston had arguably one of the best and most memorable voices ever recorded. Her influence on R&B and pop has been towering with countless contemporary artists citing her as one of their major influences — especially if you were born or came of age in the late 1980s-1990s.

Let’s not forget that Houston was also a trailblazer: She was one of the first Black women to appear on the cover of Seventeen as a teen model back in 1981. At 19, she signed to Arista Records, who released her first two albums, 1985’s self-fitted and 1987’s Whitney, both of which topped the Billboard 200 for 14 and 11 weeks respectively.

1985’s self-titled debut remains the best-selling debut album by a solo artist in history, while her sophomore album made her the first woman to debut at #1 on both the US and UK charts.

Her rendition of the “The Star-Spangled Banner” at 1991’s Super Bowl XXV was not only acclaimed but also commercially successful. Remember this was during the first Gulf War — and patriotism was at an all-time high.

Throughout the 1990s, Houston also started in a handful of hit movies, including 1992’s The Bodyguard, 1995’s Waiting to Exhale, 1996’s The Preacher’s Wife and 1997’s Cinderella. The soundtracks for The Bodyguard and The Preacher’s Wife were respectively the best-selling soundtrack album and gospel album of all time with the soundtrack for The Bodyguard winning an Album of the Year Grammy while topping the Billboard 200 for 20 weeks.

Unsurprisingly, Houston is one of the best-selling artist ever, selling over 220 million records globally And who doesn’t love “I Wanna Dance with Somebody”?

Black excellence, indeed.

___

The Joy of Violent Movement is a completely independent and completely D.I.Y. media outlet. Over the course of this site’s 15+ year history, I’ve used my fiercely independent stance to cover music with an eclectic and global perspective that a lot of other publications just don’t have — and will likely never have. 

To that end, I could use your support to continue to keep bringing you my unique global perspective on music. There are a number of ways that you can support this work. 

I’ve been told that some people would prefer to make a one-time donation because it’s easy and less of an obligation. So, if you’re able to make a one-time donation, there’s a donation box below.

Make a one-time donation

Choose an amount

$5.00
$15.00
$100.00

Or enter a custom amount

$

Your contribution is appreciated.

Donate

Anything you can give is very much appreciated. It can and does make a real difference, y’all. 

I know that a lot of folks are struggling to make ends meet in an uncertain and tumultuous economic climate. So there are other, non-financial ways in which you can support this work. 

You can follow me on the following social platforms:

X/Twitter: @yankee32879 and @joyofviolent 

Instagram: @william_ruben_helms

Threads: @william_ruben_helms

Bluesky: @williamrubenhelms.bsky.social

Facebook: https://www.facebook.com/TheJoyofViolentMovement

As always, if there are posts that you dig, share them with your friends. The more eyeballs on my work, the better. 


Discover more from The Joy of Violent Movement

Subscribe to get the latest posts sent to your email.

Tagged with: